;..........Why
Braille?
;........On
many leaves what appears at first glance to be a blight is in
fact a Braille encoded message. In part, these messages exist
to encourage viewers to pay closer attention to the details in
my work. Other reasons for these encoded Braille messages are:
;........1.
My desire to incorporate
literal meaning in my work without resorting to simple,
script messaging. Braille was originally developed by the French
military to transmit secret messages and is a perfect method for
conveying literal meaning in a nonliteral manner.
;........2.
To further enhance the positive perspective embodied in my work
these Braille encoded messages all contribute to an underlying,
life-enhancing theme.
;........3.
The Braille encoded messages are evidence of my fascination with
senses beyond sight. Tactility is an essential characteristic
in both my vessels and the luminous sculptures. In the vessels,
I repeatedly sand and polish the surface in order to achieve a
silky smoothness. As I construct the porcelain surfaces on the
luminous sculptures, I am constantly aware and sensitized to the
wonderful feel of the surface as much as its visual impact.
;........4.
My desire to acknowledge and celebrate the occasional,
visually impaired “viewer” of my work. The Braille
encoded messages are my way of saying,” I appreciate your
willingness to encounter my work and I respect the difference
of your experience”.
;........5.
I want my work to be an ongoing experience for my viewers. Whatever
the initial, primary attraction may be, I want my work to continue
revealing aesthetic intrigue. Many viewers initially misinterpret
the Braille bumps as leaf blight. As their initial observations
intensify, they begin to notice the patterning---a clue that there
is more to this than their initial observations revealed. Deciphering
the Braille is challenging, but manageable. As the literal messaging
unfolds, it is my hope that there will be a corresponding visual
investigation of the complexity of the surface pattern, the significance
of the color choices and the symbolic inferences that permeate
the work.
;........6.
I am trying to encourage my viewers to empathize with, and appreciate,
the experiences of “other-abled” people.
|